Jazz

New jazz stuff!

by Enormous on June 3, 2011

A whole box of jazz stuff arrived today and I have no idea what it’s for. I say jazz stuff, but I don’t really know, it’s all clip on microphones and stuff like that, stuff that jazz musicians use. You know the sort of thing. Probably another one of Ashley Morgan’s record label sponsorship deals that means I’m going to go and have to put another little sticker on my amp.

I’ll telephone Ashley to see if he has any idea about the delivery. If he doesn’t come round and help me before 4.00pm I’ll stick it all on eBay.

Don’t worry. I’m joking, I’m joking…

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Ashley Morgan, jazz musician, jazz trumpet player and record label owner is now the proud owner of what we in the old school music business (I’m showing my age there, sorry about that readers) call a catalogue.

Ashley Morgan has spent months in the studio (with help from yours truly, studio engineer to the stars) getting everything ready before sending it off to the vinyl monkeys who handle the kind of stuff that mere studio engineers can’t do.

To order any of Ashley Morgan’s jazz records click here and get in touch with him.

p.s I almost forgot, please don’t keep sending us email about other Ashley Morgans. There are plenty of Ashley Morgans on the web, including that blasted Lady Gaga tribute act.

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Ashley Morgan jazz remixes revisited

by Enormous on March 2, 2011

Yesterday I spoke about Ashley Morgan’s jazz remixes. Ashley has reliably informed me that the correct preposition is of.

Remixes of Enormous trumpet player and jazz musician Ashley Morgan.

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Ashley Morgan jazz remixes

by Enormous on March 1, 2011

Listening to some jazz remixes by Enormous trumpet player and jazz musician Ashley Morgan.

Or should that be remixes of Enormous trumpet player and jazz musician Ashley Morgan?

Either way. Very cool. Very cool indeed.

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Telling Teenage Fortunes

by Enormous on September 28, 2009

No.49

You will try really hard to like Charlie Parker.
You will realise you don’t like Charlie Parker.

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The Jesus Diet

by Enormous on May 1, 2009

I hadn’t seen him in ages. He looked happy and was wearing a big smile and a rather brisk cologne.

‘Lovely morning, Davy.’

‘Yes it is, Reg. How are you?’

‘Putting on a bit of weight since Maria left me. She’s gone back to Italy.’ He gazed into the distance for a second before lifting up his arms and giving me a twirl: ‘Do you think I look fat in these jeans?’

‘Yes.’

Really?

‘Yes.’

‘I’m on a diet. One of them new ones.’

‘Oh?’

‘It’s called the Jesus Diet. That Ginger Spice recommends it. Bread and fish – I can only eat bread and fish.’

‘It sounds wonderful.’

‘I know I’ll lose the weight: God is on my side.’

‘Mm.’

‘Got any plans for the summer? Going anywhere nice?’

‘Same as usual, Reg. I should think Nelson will be coming up from London and we’ll spend a week sitting in some of the local hostelries drinking warm beer that tastes like urine samples from circus animals and wondering why we can’t find girlfriends.’

‘Sounds like fun.’

‘Mm.’

Nelson Galaxy? Your brother? He’s one of them transvestites, isn’t he? Funny business, that.’

‘Yes, indeed he is. But it could have been worse; at least he isn’t a folk dancer or something.’

‘Does he ever take you to any of his funny clubs in London?’

‘He did once. I felt as out of place as a violinist in a jazz band.’

‘Well you would, wouldn’t you. Tee hee: violinist, jazz band – I like that. You’re a funny man, Mr Lawrence, a very funny man.’

‘Mm.’

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Jazz Improv

by Enormous on October 17, 2008

When the one-eyed jazz saxophonist who had booked the attended mastering session arrived wearing the stripiest satin waistcoat I had ever seen and sat down behind me at the mixing desk, I realised I had forgotten to ask him his real name; up until that point I had been calling him Mr Lips, his stage name.

‘It’s Horace.’

‘Ah,’ I quipped, ‘the Old Kingdom god?’

Blink.

‘Half-man half-falcon.’

Blink.

‘Horace the mythical Egyptian warrior.’

‘No, Horace Froggett from Sutton-in-Ashfield.’

I kept trying. ‘I think I know your brother Seth.’

‘I haven’t got a brother. I have a sister called Irene. She’s dead.’

I got to work. Horace relaxed his fat, purple face and opened the hardback book he had brought with him – Historic Residences of the Malay Peninsula – and settled back in his chair.

There were about seven minutes of what sounded like the musicians tuning their instruments at the beginning of the recording. ‘That’s the first number,’ said Horace. ‘Rhapsody in Green.’

It’s going to be a long night, I thought.

It wasn’t. As I reported yesterday, the whole job only took me about three hours from start to finish. I have no idea why clients like to attend these sessions, they never seem to have any useful input. Still, the customer is always right, eh?

As he was paying me, Horace asked what I thought of the female vocalist. She had a truly awful voice: an LCW singer as we refer to them in the business. Loud, Confident and Wrong.

‘She’s amazing,’ I told him.

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