Slaughterhouse 5

By Popular Demand

by Enormous on June 26, 2007

I have been asked by several people after the Classic Lines post to include several examples of my own song lyrics. (Oh gosh darn it, I’m blushing now.) I do not like singing my own praises, as it were, but here are a few that I am particularly proud of:

‘Nice bloke, he’s the cheekiest chappie
He’s got a pink grin on a face like a knee’
It’s Gonna Happen

‘You can see her face
You can smell her feet
You can still hear her shoes in the hall’
Goes Against the Grain

‘You’ve got me speaking a language
Where the verbs are unpronounceable‘
The Definite Article

‘My type – you’re not very bright
But you’re my type – with your slightly-crossed eyes
And you’re my type – you’re not very bright
But you’re mine’
My Type

‘Here comes that girl again
There go my knocking knees
Here comes that girl and I just
Lose the basic power of speech’
That Girl Again

‘Pretty little painkiller
I’m in love with you
Sweaty little stocking-filler
Sealed me in her little tomb
Starts like an embarrassing affliction
Ends up as a permanent addiction
Pretty little painkiller
I’m in love with you’
Pretty Little Painkiller

If you like these examples of my oeuvre to date, many more can be found at enormousreloaded.com and slaughterhouse5.co.uk where you can also find free and exclusive tracks to download.

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Fun On Tour: Garlic and Drugs and Rock'n'Roll

by Enormous on June 6, 2007

Once, when Slaughterhouse 5 were playing in London, I remember telling Miles Copeland III Jnr (our big boss at the time, IRS Records head honcho, former manager of The Police and general all-round music business luminary) that he had bad breath.

I don’t think I really offended him. Thankfully, he took the statement as it was intended – as a light-hearted and playful aside. But afterwards, I did regret saying it.
I felt embarrassed and foolish.

As I look back on it now, my conduct sort of symbolised and perfectly characterised, in a single casual remark, one of the worse gigs we had ever played.

Overall, the Wide Open Tour was a short but bizarre and peculiarly eventful one (more to follow).
We drove up and down the country in the middle of winter in an old and barely-legal Ford Transit. I remember sitting on the 2×15 bass cab, shivering and drinking Thunderbird Wine with roadies Tom and Rick at nine o’clock in the morning as we travelled over the Pennines, cuddling up with them in their frosty compartment that housed all the gear in the rear of the vehicle.
We were booked to appear at all the usual toilets and dives, unattractive and unwelcoming university halls of residence, hostile and elitist student bars, and of course, the back rooms of the usual assortment of sticky-floored pubs and clubs that stank of puke and cheap disinfectant.

It was great fun, though, and as the tour was coming to an end and we arrived for our shows in London, we calculated that over the course of those two months, we must surely have played to several people. We were a very hungry band at the time: we would literally have played for sandwiches – and very often did.

That particular night at The Borderline, Graham Boffey – the band’s brilliantly talented and good-looking young drummer - ensured with all his usual panache that the show really got off to a flying stop when his elderly bass-drum pedal fell to pieces during the opening bars of the first number in the set.
After more songs with various amps failing and guitar strings happily snapping, we reached the end of the show and played a medley of our hit Pathetic Girlfriend after which we stormed off the stage and headed for the dressing room for a good sulk.

It was perhaps because I was in such a foul mood (and acting like your run-of-the-mill, punk rock prima-donna) that I unadvisedly decided to point out to Mr Copeland that the freshness of his mouth odours left a lot to be desired.

I sincerely wish that I had kept my mouth shut, but then again, I wish that he had, too.

On the Fantastic hi-fi today:
Sgt. Pepper’s Lonely Hearts Club Band – The Beatles
Grace – Jeff Buckley
Wide Open – Slaughterhouse 5

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The Return of Tap

by Enormous on April 25, 2007

How delighted I was to learn today that seminal rock band Spinal Tap are to reform. They will play the Live Earth concert at Wembley Stadium in London in July. The group were created for Rob Reiner’s cult 1984 film This Is Spinal Tap.

I have worked with Rob Reiner’s famous father Carl, who directed my erstwhile band Slaughterhouse 5 and me in the hilarious comedy film Bert Rigby, You’re a Fool. (In this Warner Bros musical extravaganza, we appeared alongside Robert Lindsay and Robbie Coltrane as well as veteran US actor Bruno Kirby who also features in This Is Spinal Tap. I remember we had a marvellous discussion with him about his role in that movie, something of which he was very proud. Unfortunately, Bruno is no longer with us; he died recently in the States. Rest in peace, little guy. You can see a clip of our appearance together on the Slaughterhouse 5 website.)

I shall try to get to the Live Earth gig as I would love to see guitarist Nigel Tufnel and the boys in action. The concert is one of seven shows that will take place around the world to highlight climate change. Interviewed recently, Rob Reiner joked that Christopher Guest, who plays Tufnel, thought global warming meant he was ‘wearing too much clothing.’

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Kurt Vonnegut RIP

by Enormous on April 12, 2007

How sad I am to learn of the death of Kurt Vonnegut.

One of the outstanding figures of modern US literature and of 60s and 70s western counterculture, the writer has died aged 84 in New York.

He has long been one of my favourite authors and indeed, my erstwhile band Slaughterhouse 5 was named for his best known work which recounts the fire-bombing of Dresden by allied forces in 1945 – the pivotal moment in his life.

Thank you for all the magical stories that I have enjoyed over the years, Mr Vonnegut; you will be sadly missed.

My favourite books of his were Breakfast of Champions, Mother Night, and Cat’s Cradle and, of course, the aforementioned Slaughterhouse Five.

A great author, a great deal of wit and playfulness, but above all: extremely entertaining.

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Pictures of Tom

by Enormous on April 4, 2007

I was sorting through some band publicity photographs today and I came across some glossy prints of Tom Waits that I acquired ages ago.

They were taken by UK photographer Ed Sirrs in LA for a feature in the NME in 1993. He gave some of the prints to me years later as a present.

I mention this here because the very day after that session, Ed was flying back to England to photograph my band at the time Slaughterhouse 5, who were signed to IRS Records. He regaled us all afternoon with stories of his encounter with Mr Waits, saying what a thoroughly friendly, though somewhat unusual, man he found him to be. I won’t repeat them here – I can’t remember most of Ed’s report, anyway; my memory is not what it used to be – suffice it to say that he thought Tom was, of course, a very colourful and singular character.

He did say this (Ed’s words): ‘During the hour-long session, Tom wouldn’t stop shaking my hand. When I commented what a warm guy I thought he was, Tom whispered to me: “Nah… you’re just helping me to stand, man – I’m as drunk as a skunk!”’

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Network With Us

by Enormous on April 2, 2007

My dear friend Nelson Galaxy came round for tea and biscuits yesterday evening. We spent most of the time setting up elements of our musical network of friends in cyberspace. Oh what fun we had: listening to Burt Bacharach, drinking ice-cold rose wine, eating pretzels, laughing and singing and making lovely new acquaintances from all over the world! Why not join us? Pop over and shake hands, say ‘Hi!’

Here are just a few of our networking sites; there are more to follow:

Napoleon Fantastic on Virb
Nelson Galaxy on myspace, Virb, Purevolume
Davy Lawrence on Virb, myspace
Enormous on myspace
Slaughterhouse 5 on Virb, myspace
Big Arena Records on LastFM

We’re all over the flippin’ place – see ya there, amigos!

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. . . And All That Jazz

by Enormous on March 24, 2007

Aren’t guitars great? I’ve just bought a new one: a gold seventies Fender Jazz Bass. It’s gorgeous.

I don’t play bass much but I needed one for various recording duties and this beauty winked at me in the dusty shop and whispered: ‘We should be together.’

I have several guitars: an 80s black and white Fender Telecaster (maple neck); a much-underrated Yamaha SG 3000s; a tobacco sunburst E/Gibson Seraton VSB; and a very versatile Yamaha APX-10D acoustic. But it is my trusty Telecaster that I use more than any other. (I actually have a collection of revealing and fruity photographs with me and my beloved Tele together on satin sheets; I am quite naked in each one. Mail me if you would like to see them – serious guitar-lovers only, please.)

On stage, I’d love to use my Yamaha SG 3000 more – it sounds amazing: warm and sustained but with plenty of top-end bite especially played through my old Fender Twin combo – but it’s just so heavy. Enormous bounce around on stage in front of the spangly backdrops quite a bit when we’re in full flow, and the weight of the Yamaha is just too much for my tender young shoulder bones to bear night after night when we’re on a long tour. It once caused my guitar strap to snap dramatically on the first chord of the first song when Slaughterhouse 5 were playing at the Marquee in London. That really got the show off to a flying stop! Happy days…

On the Fantastic hi-fi today:
Motown – The Hits Collection Volume 1
Orange Juice – The Very Best Of
Billie Holliday – A Flag for Lady Day

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